After eight albums with Ramón Ayala y Sus Bravos del Norte Coronado also left the group making way for Mario Marichalar. with hits including “Un Rinconcito En El Cielo” and Chappa de Mi Amor”.īy the mid-1980s Robles left the group struggling to handle the pressure and Antonio Coronado took tenure as the band’s singer. During this time Ayala experienced his greatest commercial and critical success in both Mexico and the U.S. However Sauceda soon left and made way for Eliseo Robles, who alongside Ayala proved to be legends of the norteño genre, artistically surpassing all of their peers and becoming the standard for the genre. In 1971 Cornelio Reyna left the group and Ayala formed the Ramón Ayala y Sus Bravos del Norte with vocalist Antonio Sauceda. The pair livened the sound up, modernised the lyrics and together recorded a total of 20 albums together, with a host of classics under their belt. Until 1971, Los Relámpagos del Norte revolutionised the entire appeal of norteño music, which at the time was seen as wholly cantina music. It didn’t take long for the pair to start making waves within contemporary latin music, the duo released their first single “Yo No Llores” in 1963 ahead of their eponymously-titled debut album. After moving to Reynosa, Mexico in the early 1960s, still only a teenager, Ayala pioneered modern conjunto music collaborating with the likes of Cornelio Reyna, the late bajo sexto guitarist, who together formed Los Relámpagos del Norte. The musician’s first excursions into a band was the Los Jilgueros de Marin followed a little time after by the group Los Pavorreales.

Inspired to support his modest family’s situation the accordionist began playing in host of different public places and honed his skills and musical interests. Born to his music playing father Ramón Cobarrubias, Ayala picked up an accordion at the unusually young age of six and soon got rather proficient at it.

Los angeles negro concert viejas casino